My working method, which typically starts with on-site drawings and photographs, facilitates this process. As I begin painting--sometimes months after visiting a site--the act of piecing together these fragments of image and memory forces me to manipulate and invent. What emerges is the record of a new place--one which, though rendered naturalistically, has been generated as much by imagination as by impression. By noticing and transforming little-noticed corners of the city, I attempt in my paintings to capture both the margins of the urban landscape, infused by the presence of man and nature, and the psychological landscape where those forces meet. |
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